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Connecting through fibre and thread

Conventional woven handcraft meets modern lighting in Malin Bobeck’s art pieces. As a Textile designer and artist she creates using optical fibre textile that interacts with the visitor, creating an experience, a magical world communicating something that differs from our everyday lives.

text elin nilsson photo peter claesson and emma clayton
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Combining her background in industrial design and a passion for fabric 30 year old Malin found something between the two crossing boundaries by joining traditional handcraft with lighting.  

In her art pieces "Those who affected me" and "Tactile refuge" she made interactive light emitting textile art installations. Using a traditional woven technique she weaved in thin electrically conducting copper treads together with optical fibre treads. Then she connected the programmable colour LEDs to a micro computer.

In the four winged structure in “Those who affected me”, with 11 metres of textile of 1,5 m x 2,5 metres in diameter, the copper treads are touch sensitive. When someone touches the textile it reacts by with the visitor. 

“It is a kind of self portrait, it is a reflection of how people around me always affect me and who I am in the same way as touch affects the installation”, Malin says. 

Her latest piece "Tactile refuge" is created to escape to an alternative reality, a tactile world shaped by your touch.  launched at the Heimtex fair at Frankfurt 2017. The piece is made by 12.000 metres of optical fibre fabric combined with Pemotex yarn.

"Tactile refuge" was inspired from the curious worlds under the Earth's water where participants can submerge themselves in another world of glimmering LED lights. I am trying to create spaces where you can share experiences with strangers in an open and vulnerable way. I do so by twisting the perspectives, and creating fantasy worlds using interactive textile materials and animated light. Hopefully you will come out of it smiling, taking the experience with you and letting you see the regular world in a new glow", Malin says. 

Malin has been interested in fabrics since she was young working with them in many ways as, for example, a costume designer for theatre or making intelligent fabric for car seats where the colour changes when the car accelerates.

When she got her Textile Design bachelor at The Swedish School of textile in Borås she found her interest in smart textiles testing new methods, and that was when she discovered the fibre optic. It gave, and still gives, her a great challenge since it is not made by weaving. 

The concepts of her installations are based on something from within that needs to come out.

“Actually, the driving force is to create some kind of alternate reality, create places where you can be carried away by something other than your everyday life, as a refuge. I want to create a magical place that can embrace you, so combining textile with light becomes very effective”, Malin says. 

Her knowledge in lighting is mostly self-taught. 

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“Light attracts the eye, it changes the texture and textile depending how much light there is. I needed to find a middle ground because if you see the light clearly you can loose some of the texture.” Malin Bobeck, Textile designer and artist

But Malin is first and foremost a textile designer and artist who loves weaving. 

“I have been working with weaving for a long time, long before fibre optics, I think the meeting between these two are very interesting, the traditional and genuine that has been around for a long time, alongside new techniques and material. They have not been natural partners. But thinking about it they have much more in common. When weaving you use a kind of weaving language controlled by a “chain of cards” much like programming with ones and zeros. They say that the power Jacquard loom was an important step in the history of computing hardware”, Malin says. 

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Malin is continuously keeping up with latest technical development and digitalisation to find new expressions. She tries different new techniques, follows the latest innovations and connects with technical consultants to realise her ideas and vision.

"The technical development is moving rapidly, it is a constant process, to keep yourself updated with what is new. A thought that keeps coming up the more you work with art and art pieces is the realisation that the pieces will not live forever, it takes a few years then it is out of date. You allow for that when creating. But I think it is rather nice, the temporary is beautiful and everything that exists has to end", Malin says.

Malin sees great possibilities in the future making combinations of textile, technique and tactile material, things that are still pretty unique. She can see herself work with companies to create intelligence in installations and interiors by collecting data from example social media, adapting the feelings of the room through sensors. 

“It would be nice to make information more understandable by translating feelings to a tactile object. For example the VR-technique that comes on big now, it would be interesting to create a virtual world that could be totally magical and combining it with tactile material to further enhance the experience", Malin says.  

And experiences is truly what Malin provides connecting people through fibre and thread, a meeting between senses and integrating through touch, with the idea of that the more people that interact with the piece the more you get out of it. 

"I think that idea suits the world we live in today very well", Malin concludes. 

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Malin bobeck has been awarded with many scholarships such as “Encouragement of research” from the Swedish Sten A Olsson foundation, “Innovativ kultur” for the project “Interactive light emitting textile art” and in November 2016 she received the Stockholm Innovation Scholarship handed out by the City of Stockholm in the category Cultural & Creative Industries.

She has exhibited at Heimtex at Frankfurt, Stockholm Furniture Fair, Gothenburg Museum of Art, Nationalmuseum in Stockholm, National Taiwan Craft Research and Development Institute in Taiwan amongst other.

 

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